![]() Sharing/uploading directly to Vimeo using the Mac OS App Learn more about uploading to Vimeo in the ' Upload and video settings' section of the Help Center. View your finished, compressed file to make sure it looks and sounds correct - then upload it to Vimeo.However, those will not apply to your video on Vimeo. In the Info Tab, you have the option to ad just your video title, description, and tags.(or select the name you gave your Destination). Make sure to apply the following settings: " You can name this destination if desired (e.g. In the Destinations menu, select Add Destination, then double-click " Export File.Learn more about exporting the master file from FCP from Apple at ' Export final mastering files with Final Cut Pro'. You can view your final file before uploading You’ll have less fine-tuned control over your compression settings Sharing as a master file to your computerĪ simple way to export videos (good if you have limited knowledge of compression) Select your final sequence in Final Cut, then open File > Send to Compressor. You’ll have more fine-tuned control over your compression settings If you want to upload your video in Dolby Vision using Final Cut Pro, our partners at Dolby have a tutorial at How-To: Editing Dolby Vision with Apple Final Cut Pro for Vimeo. Compressor gives much more control over your video’s export settings than FCP X alone. (Compressor can be purchased from Mac App Store: Compressor ). Sharing/uploading directly to Vimeo using the Mac OS Appįor the most fine-grained control over your video's export settings, we recommend using method 1 to send the file to Compressor first, then adjust the compression settings there.Sharing as a master file to your computer.According to Apple, OfflineRT compresses your files to let you record more than five times more video material onto your hard disk.There are a few different ways to export your video from Final Cut X to be uploaded on Vimeo. This is a great tool for correcting video images that do not match well because of different lighting or cameras.Īnother feature, the Media Manager, allows you to convert any type of video file (from standard DV to HDTV clips) to Final Cut Pro's new OfflineRT mode. We especially like the Color Corrector three-way filter: a real-time filter that lets you adjust the white, black, and midtone levels in a video image. The video previews are excellent, even when using Final Cut Pro on a relatively slow 667MHz G4 PowerBook. We'd like to see many more transitions added to the roster of real-time effects, including pushes, where one image is literally pushed from one side of the screen to the other. According to Apple and several professional video editors we talked to, Final Cut's real-time cross-dissolve, 5 wipes, and 6 iris transitions will be sufficient for most amateur editors. With a single G4 processor, for instance, you won't be able to use more than a couple of effects simultaneously. Also, your processor limits the number of effects and filters viewable at the same time. Unfortunately, you'll find that only 12 of Final Cut's 60 video transitions and 1 of its 75 video filters work in real time the others need time to process. ![]() One of Final Cut Pro's most touted new features is the ability to preview video transitions and filters in real time without having to render the image in color or view it in black and white. Still, Final Cut Pro 3.0 is the best program for Mac professional editors looking for the most powerful, software-based editing application available. But Final Cut is not yet the ultimate video-editing tool because the Mac's processor limits the apps' effects. Version 3.0 takes Final Cut Pro even further, with real-time effects, video-signal analysis, real-time color correction, and other new features designed to make your productions even more professional. Still, Final Cut Pro 3.0 is the best program for Mac professional editors looking for the most powerful, software-based editing application available.When we looked at Final Cut Pro last year, it stood out from the midrange video editor crowd, which included Adobe Premiere and Vegas Video, largely thanks to its precise editing tools, slick interface, and powerful composition features. When we looked at Final Cut Pro last year, it stood out from the midrange video editor crowd, which included Adobe Premiere and Vegas Video, largely thanks to its precise editing tools, slick interface, and powerful composition features.
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